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Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral histories, Watson reconstructs a Dickensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading.BREAD & ROSES - DVD Movie Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral ! histories, Watson reconstructs a Dickensian drama involving th! ousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading. Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral histories, Watson reconstructs a Dickensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading.

The new baking masterwork ! from the author of The Cake Bible and The Pie and Pastry Bible.

The Bread Bible gives bread bakers 150 of the meticulous, foolproof recipes that are Rose Levy Beranbaum's trademark. Her knowledge of the chemistry of baking, the accessibility of her recipes, and the incomparable taste of her creations make this book invaluable for home cooks and professional bakers alike.

"Understanding" and "Pointers for Success" sections explain in simple, readable language the importance of various techniques and ingredients demonstrated in a recipe, providing a complete education in the art of baking, with thorough sections on types of flour, equipment, and other essentials. Easy-to-use ingredient tables provide both volume and weight, for surefire recipes that work perfectly every time.

Recipes include bread made with yeast starters, quick breads, flatbreads, brioche, and much more. From ciabatta, semolina, rye, and sourdough bread! s to bagels, biscuits, crumpets, and pizza dough, The Brea! d Bible< /em> covers all the baking bases. 225 line drawings and 32 pages of color illustrationsRose Levy Beranbaum's The Cake Bible introduced readers to a newly illuminating baking-book approach--a precisely detailed yet accessible recipe format emphasizing baking science. The Bread Bible follows the same plan, offering 150 recipes, arranged by type, for a great variety of baked goods--from muffins, popovers, and English muffins to sandwich loaves, focaccia, rolls, hearth breads, rye bread, challah, and more, with a particularly vivid (and passionate) stop at sourdough loaves. Instruction is abetted by 32 pages of photos plus 300 step-by-step illustrations that depict, for example, bagel forming, in exact, imitable detail. In addition, an introductory section, "The Ten Essential Steps of Making Bread," includes a particularly lucid discussion on the way yeast works plus an invaluable comparison of kneading methods. Like the book's final look at ingredients, these "min! i-texts" provide information uncommon to most home bread books, rendered in simple language that allays fears of putting one's hand in the dough.

All this is impressive indeed, and readers bitten by the bread-baking bug will welcome the ultra-thorough Beranbaum approach. The less committed may find her technical demands too painstaking (her baguette recipe requires two starters, for example; though simpler loaves are, of course, offered) or even impractical (ingredient quantities using grams are sometimes given in minute fractions, requiring a special scale). The frequent inclusion of alternate mixing methods and equipment options can also make the formulas unwieldy. On the other hand, features like Pointers for Success and Understanding often yield exciting discovery as well as rewarding results. In short, this Beranbaum bible answers virtually every bread-making question, as well as providing exemplary formulas. It's the real deal for those willing to bake along wi! th Rose. --Arthur Boehm"Blood, Bread, and Roses" reclai! ms women 's myths and stories, chronicling the ways in which women's actions and the teaching of myth have interacted over the millenia. Grahn argues that culture has been a weaving between the genders, a sharing of wisdom derived from menstruation. Her rich interpretations of ancient menstrual rites give us a new and hopeful story of culture's beginnings based on the integration of body, mind, and spirit found in women's traditions. "Blood, Bread, and Roses" offers all of us a way back to understanding the true meaning of women's menstraul power.

Foreword by Charlene Spretnak

"[Grahn's] intriguing excursion through folklore, myth, religion, anthropology and history bespeaks a feminist conviction that male origin stories must be balanced by a recognition of women's central role in shaping civilization."
-Publishers Weekly

Newbery-author Katherine Paterson's tale of the 1912 mill workers' strike -- in paperback!

Rosa’s mother is singing again—uni! on songs. She’s joined the strike against the corrupt mill owners. Rosa is terrified. What if Mamma is jailed or, worse, killed?

Jake’s dad threatened to kill him if he joined the strike. For Jake, that is reason enough to do so.

Then Rosa, Jake, and the other children living in the middle of the strike are offered a very special opportunity: To live in Vermont until the strike is over. For Rosa, being away from her family is worse than seeing them in harm’s way. For Jake, it’s a chance to start over. For both of them, it’s a time of growing up.

Newbery-author Katherine Paterson's tale of the 1912 mill workers' strike -- in paperback!

Rosa’s mother is singing again—union songs. She’s joined the strike against the corrupt mill owners. Rosa is terrified. What if Mamma is jailed or, worse, killed?

Jake’s dad threatened to kill him if he joined the strike. For Jake, that is reason enough to do so.

Then ! Rosa, Jake, and the other children living in the middle of the! strike are offered a very special opportunity: To live in Vermont until the strike is over. For Rosa, being away from her family is worse than seeing them in harm’s way. For Jake, it’s a chance to start over. For both of them, it’s a time of growing up.

From the producer of Selena and directed by award-winning actor Edward James Olmos comes the stirring true story of courage and justice. The year is 1968, the height of the national civil-rights movement. Paula Crisostomo (Alexa Vega, Spy Kids) is an idealistic honor student who refuses to "play it safe" in a school system that discriminates against Mexican-Americans. Together with thousands of supporters, she coordinates a multi-school walkout of students to protest academic prejudices. Mentored by her charismatic teacher Sal Castro (Michael Pena, Million Dollar Baby), and with the help of her friend Bobby (Efran Ramirez, Napoleon Dynamite), Paula learns that sometimes the price of progress is high - but it's ultimat! ely worth paying.In an era when so many movies about inner-city youth focus on gangs, drugs, and violence, Walkout deserves props for its sincere depiction of the peaceful efforts of Chicano students to effect positive change in the Los Angeles school system. The year is 1968, a time of profound social upheaval, what with the assassinations of Martin Luther King and Robert Kennedy, the escalation of the Vietnam War, the chaotic scene in Chicago during the Democratic Convention, and so on. In East L.A., a young schoolteacher (Michael Pena) tries to instill pride in his students, reminding them of Chicano contributions to the Civil War and 'Nam and taking them on a tour of the west side, where they see how the other (i.e., whiter) side lives. Laura Crisostomo (Alexa Vega from the Spy Kids series), a good girl and ace student, soon finds herself caught up in the movement to improve conditions at local high schools--much to the chagrin of her dad (Yancey Arias), a! strict Filipino immigrant mistrustful of "agitators" (this fa! ther-dau ghter dynamic, while not the film's only cliché, is perhaps its most obvious). Said conditions are not, in fact, all that horrendous; there's nothing good about corporal punishment (students are "swatted" for speaking Spanish during an English lit class), of course, but the lack of Mexican food in the cafeteria and the fact that school bathrooms are closed during lunch are hardly issues of earth-shattering importance. The students persist nonetheless, leading to mass boycotts (the titular "walkouts"), the predictable over-reaction by police and other authorities, and, eventually, some tangible results. All of this is presented by director Edward James Olmos (who also has a small onscreen role) and three screenwriters in the kind of earnest, inspiring style of a TV movie of the week (the film originally aired on HBO in 2006). But while Walkout is hardly what you'd call "edgy," its efforts to refute stereotypes and promote Mexican-American cultural awareness are nothin! g if not admirable. Bonus features include three audio commentary tracks, with participation by Olmos, the writers, and executive producer Moctesuma Esparza, who was part of the student movement (and is portrayed in the film). --Sam Graham