Shop-Vac 9631200 12-Gallon 4.5-Peak HP Detachable Blower Wet/Dry Vacuum

• Accessories Included: 7-Foot x 1 1/4-Inch LockOn Hose, (3) 1.25-Inch Extension Wands, 10-Inch Wet/Dry Nozzle, (1) 2.5-Inch Extension Wands, Concentrator Nozzle, Blower Nozzle, Tool Holder, Foam Sleeve, Cartridge Filter
• 3 Year Warranty
• On board cord and accessory storage
• Remove motor from top of vac and you have a powerful yard blower
• Extra Large Tank Drain

Starring Rachael Leigh Cook (SHE'S ALL THAT), Josh Hartnett (PEARL HARBOR), and Alan Rickman (GALAXY QUEST) in a great ensemble cast -- the Academy Award(R)- nominated writer of THE FULL MONTY has crafted a hilarious story about the things everyone wants in life: love, happiness, and great hair! As the National Hair Championships descend upon a small town in England, the country's top stylists aren't expecting much from the local talent. But they didn't count on Phil Allen (Rickman), the retired golden boy of! the competition circuit, entering the fray! Also starring Natasha Richardson (THE PARENT TRAP), Rachel Griffiths (MY BEST FRIEND'S WEDDING), and supermodel Heidi Klum -- laugh along as the locals dazzle the out-of-towners with some hair dos ... and don'ts.Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing! Championships. Phil initially resists the urge to compete as ! it remin ds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Studio: Lions Gate Home Ent. Release Date: 05/17/2011 Run time: 90 minutes Rating: RDespite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wir! e act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Coo! k plays an American) and they don't embarrass themselves as mu! ch as su permodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy A sexy take on SHAMPOO, this big-budget artsy New York comedy tells the story of Pepe, an ambitious, virile hairdresser who dreams of opening his own salon, while sleeping his way to the top.

DVD features Re-Mastered feature film (1.66:1) and commentary by cult film star R. Bolla (Cannibal Holocaust, Cannibal Ferox).Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably o! ver-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufo! y of Full Monty fame. Although not up to that standard-! -and cer tainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it remi! nds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Starring Rachael Leigh Cook (SHE'S ALL THAT), Josh Hartnett (PEARL HARBOR), and Alan Rickman (GALAXY QUEST) in a great ensemble cast -- the Academy Award(R)- nominated writer of THE FULL MONTY has crafted a hilarious story about t! he things everyone wants in life: love, happiness, and great h! air! As the National Hair Championships descend upon a small town in England, the country's top stylists aren't expecting much from the local talent. But they didn't count on Phil Allen (Rickman), the retired golden boy of the competition circuit, entering the fray! Also starring Natasha Richardson (THE PARENT TRAP), Rachel Griffiths (MY BEST FRIEND'S WEDDING), and supermodel Heidi Klum -- laugh along as the locals dazzle the out-of-towners with some hair dos ... and don'ts.Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sa! ndra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talent! s of its three leads. --Kathleen C. Fennessy Have you e! ver hear d yourself say this... "I love my hair when I leave the salon, but I have no idea how to style it when I get home!" We thought so. Congratulations! It doesn't have to be that way anymore! This DVD seminar was created just for you! It's packed with information you can use immediately. In 65-minutes, you will learn amazing techniques that will change your relationship with your hair forever! There are three complete blow-dries fully explained. The first is, a smooth straight look. Next, learn how to create bouncy movement. And the best part is the last blow-dry. You will watch as Kimberly blow-dries her own hair so you can see how the techniques are applied on yourself. No more feeling defeated before you even begin. These techniques really work! This DVD's unique packaging is made from 100% recycled paperboard. There is a Spanish language option and English subtitles. More information can be found at NowYouKnowHow.com .Despite a gifted Ang! lo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the ! daughter of Phil's old nemesis, seem like peculiar casting cho! ices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Shop-Vac 963-12 BlowerShop-Vac® UltraBlowerVac Series Wet Dry Vacuums with Detachable BlowerShop-Vac 963-12 Blower Features:; Cord Length: 18 Feet; Operation Sound Level: Super Quiet; Hose Size: 1.25" Diameter; Warranty: 3 Years; Tank Drain; Lock-on Hose; Blower Feature; Built In Portable Leaf Blower; Peak HP: 4.5 Peak HP; Tank Size: 12 Gallons; Ultra Blower vacuums are full feature wet/dry vacuums plus convenient hand held leaf blowers in one economical package; Super quiet operation; Tank drain; Loc! k-on hose; Blower feature; Built-in portable leaf blower; Onboard accessory storage; Includes 1-1/4" x 7' hose, two 1-1/4" extension wands, 10" combination nozzle, squeegee, blower nozzle, onboard tool storage, cartridge filter, and foam sleeve; 3 year warranty; 18' cord length

Finding Amanda

• From director Peter Tolan, creator of the hit television series Rescue Me, comes Finding Amanda, a hilarious and heartbreaking autobiographical comedy about the compulsions we can t shake, and the unlikely lengths we ll go to while trying.Taylor Mendon (Matthew Broderick) is a television writer and producer working on a low-rated, little-respected half-hour sitcom. Once destined for bigger and bet

Taylor Peters (Matthew Broderick) is a television writer and producer whose compulsive gambling, recreational drug use and drinking problem are jeopardizing his career and marriage. In a desperate attempt to save his marriage to Lorraine (Maura Tierney), he sets off to redeem himself by bringing home his 20 year old niece (Brittany Snow) who is living in Vegas and working as a prostitute. While there, he vows not to gamble a cent or drink a drop of alcohol. Alas, the best laid plans

Civic Duty

• Tyvek is a breathable material made by DuPont that's water resistant and highly durable
• Pre-wrinkled upper for a "worn" look right out of the box

Angry and depressed over losing his job, accountant Terry Allen (Peter Krause) begins to suspect his new, Middle Eastern neighbor is at the center of a terrorist conspiracy. Terry becomes obsessed about revealing the man's true identity and finally takes matters into his own hands ⦠with shocking results.Peter Krause (Six Feet Under) uses his everyman good looks to subversive effect in Civic Duty, an effective little thriller. Recently fired accountant Terry Allen (Krause) grows increasingly suspicious of his new neighbor, an Islamic student (Egyptian star Khaled Abol Naga) who keeps late hours. Allen's wife Marla (Kari Matchett, 24) believes he's being paranoid and their relationship crumbles under the pressure,! which only leads Allen to obsess all the more about this possible terrorist--until he finally acts on his suspicions. As the confrontation escalates out of his control, Allen is forced deeper into a corner he never anticipated. Civic Duty is a lean, sinewy movie, making the most of its concise storyline and claustrophobic setting. Though the director tries perhaps a little too hard to insert some visual flash, this is essentially and actor's showcase. Krause, though not always the most expressive performer, does a good job of drawing the audience into his increasingly untrustworthy consciousness. Matchett and Naga turn in solid work, while Richard Schiff (The West Wing) is particularly strong as a doubtful FBI agent that Allen contacts. Civic Duty is more interested in psychology (and cinematic suspense) than politics, but it delves just enough into the issues around terrorism--What do we lose in the pursuit of security? What might drive a terrorist t! o such horrific acts? How do we fight violence without being c! onsumed by it ourselves?--to give the movie some heft, something for an audience to chew on when it leaves. --Bret Fetzer

House of D

• Actors: David Duchovny, Tea Leoni, Robin Williams, Anton Yelchin, Erykah Badu.
• Format: Closed-captioned, Color, Dolby, DVD, Special Edition, Subtitled, Widescreen, NTSC.
• Language: English, French. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated PG-13. Run Time: 97 minutes.

In his directorial debut David Duchovny delivers a classic coming-of-age tale. To reconcile with his 13-year-old son and estranged wife artist Tom Warshaw (Duchovny) revisits the life changing events of his own adolescence in New York City in 1973 when his best friends were Pappass (Robin Williams) a mentally challenged janitor and Lady (Erykah Badu) a truth-dispensing detainee in the East Village's legendary Women's House of Detention. Filled with laugh-out-load moments as well as poignancy House Of D is a warmhearted and wise film.System Requirements: Running Tim! e 97 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 031398177654 Manufacturer No: 17765House of D is a bittersweet, moving story of an American expatriate's painful decision to come to terms with the childhood he fled in early 1970s New York City. David Duchovny wrote and directed this comedy-drama; he also stars as the adult version of the film's hero, Tom Warshaw, an illustrator who has spent most of his life in Paris and decidesâ€"on the occasion of his son's birthdayâ€"to finally reveal long-withheld facts about his past.

The bulk of the story, told in flashback, portrays 13-year-old Tom (Anton Yelchin) as a quick-witted prince of his neighborhood, a delivery boy who knows every eccentric on his bicycle route and a Catholic school kid fond of playing pranks on his clueless French teacher and soulful principal (Frank Langella). His best friend is the school's mildly retarded, 41-year-old janitor, Pappas (Robin Williams), and his advisor on matters o! f the heart is Lady (Erykah Badu), a prison inmate whom the fa! therless Tom (or Tommy, as he's called in 1973) can neither see nor touch. Tommy's vivacity is an asset at home, where his mother (Tea Leoni), a grieving widow with a mounting addiction to pills, is slipping away from her son's ability to help. Duchovny's screenplay sometimes borders on the precious: A number of scenes are enamored with their own boldness and originality, as if Duchovny has been squirreling away lots of colorfully expressive storytelling details for years, and unloaded them here. But that flaw all but disappears in the glow of House of D's emotional resonance and honesty, not to mention several exceptional performances. Among these is Zelda Williams's work as Tommy's sage-beyond-her-years girlfriend, Melissa, whose name offers a suitable excuse to work a rather lovely Allman Brothers song into the soundtrack. --Tom Keogh

Human Trafficking

• HUMAN TRAFFICKING (DVD MOVIE)

Here's the hip, adrenaline-pumped comedy about one wild weekend in the lives of five young friends ... and how their latest raved-up adventure just might change their outlook before the next weekend arrives! For Jip, Lulu, Koop, Nina, and Moff, workdays are merely the dreary downtime between frenetic 48-hour binges of clubbing, pubbing, and partying without rules or limits! But when these friends spend a wild weekend in search of some meaning and real connections, they'll see things in ways they've never imagined! Fast, funny, and excitingly original -- discover for yourself this widely acclaimed hit!Human Traffic wants to be a Trainspotting for the rave set, and so it has thick British accents, hip snotty attitudes, slick visuals, a propulsive electronic soundtrack, and unfortunately some very weak writing and drab characters. A band of friends, w! ith the cute names of Jip, Koop, Nina, Lulu, and Moff, are sex-obsessed clubgoers having some sort of premature midlife crisis. Jip and Lulu are best friends, only their friendship is about to be threatened by sexual tension. Koop gets ravingly jealous about his girlfriend, Nina. Moff masturbates a lot and has a repressive dad. Jip's mother is a prostitute. Koop's father is a paranoid schizophrenic. What little plot there is revolves around whether or not they'll get into a particularly hip club. Critics usually complain that movies are too much like music videos, but Human Traffic could stand to be more of one. All the best moments are when the tepid dialogue stops and the driving beats and quickly edited images take over. A brief break dancing sequence is a moment of genuine dazzle. The actors aren't completely without charm, but the movie is just trying too hard to achieve the effervescent buzz it seeks. --Bret FetzerStudio: Lions Gate Home Ent. Release D! ate: 05/17/2011 Run time: 84 minutes Rating: RHuman Traff! ic w ants to be a Trainspotting for the rave set, and so it has thick British accents, hip snotty attitudes, slick visuals, a propulsive electronic soundtrack, and unfortunately some very weak writing and drab characters. A band of friends, with the cute names of Jip, Koop, Nina, Lulu, and Moff, are sex-obsessed clubgoers having some sort of premature midlife crisis. Jip and Lulu are best friends, only their friendship is about to be threatened by sexual tension. Koop gets ravingly jealous about his girlfriend, Nina. Moff masturbates a lot and has a repressive dad. Jip's mother is a prostitute. Koop's father is a paranoid schizophrenic. What little plot there is revolves around whether or not they'll get into a particularly hip club. Critics usually complain that movies are too much like music videos, but Human Traffic could stand to be more of one. All the best moments are when the tepid dialogue stops and the driving beats and quickly edited images take over. A ! brief break dancing sequence is a moment of genuine dazzle. The actors aren't completely without charm, but the movie is just trying too hard to achieve the effervescent buzz it seeks. --Bret FetzerNominated for Two Golden Globes® - Best Actress and Best Actor in a TV Miniseries; Lifetime Television's most-watched miniseries of 2005. Featuring Emmy® and Golden Globe® Award winner Donald Sutherland (The Italian Job), Academy Award® and Golden Globe® Award winner Mira Sorvino (Mighty Aphrodite) and Trainspotting's Robert Carlyle, Human Trafficking is at once a gripping thriller, a cautionary tale, and one of the most fundamentally important stories of our time. DVD Features include: Interviews with Mira Sorvino and Robert Carlyle, Behind the Scenes with the cast and crew, and A "Take Action" Guide to shop human trafficking now! The Lifetime cable channel made TV history with this ambitious, acclaimed original miniseries on the horrifying phenomenon of human traffi! cking, or sexual slavery. It follows the fictional cases of yo! ung wome n around the world, lured or abducted, sometimes right off the street, into a world of unspeakable brutality--which the filmmakers show in almost overwhelming detail at times. Mira Sorvino and Donald Sutherland star as American government officials bent on exposing and stopping the phenomenon, and both are more than serviceable in their roles. But the revelation is Robert Carlyle, the Scottish star of The Full Monty and Trainspotting, who here is transformed into a ruthless criminal mastermind behind his own trafficking network. Even his Eastern European accent is spot-on and blood-chilling. The supporting cast of women and girls is strong, and in some cases, truly heartbreaking. And while sometimes almost unbearably harsh, the film serves as a reminder this terrible situation still exists and thrives; and told through the characters, is also a well-paced thriller. --A.T. Hurley

Fat Girls

• A candidly funny and off-beat coming-of-age story focusing on the trials and tribulations of a gay, theater-obsessed Texan high school senior who has his heart set on Broadway stardom and an eye out for love. With the help of his 300-pound best girl friend, he embarks on a winning journey of self discovery. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 858423001230 UPC:&

Twelve-year old Anaïs is fat. Her older sister, Eléna, is a teenage beauty. While on vacation with her parents, Anaïs tags along behind Eléna, exploring the dreary seaside town. Eléna meets Fernando, an Italian law student, who seduces her with promises of love, as the ever-watchful Anaïs bears witness to the corruption of her sister’s innocence. Precise and uncompromising, Fat Girl (À Ma soeur!) is a bold dissection of sibling rivalry and female adolescent sexuality from one of contemporary cinemaâ! €™s most controversial directors.Fat Girl is a typically shocking, utterly discomfiting provocation from director Catherine Breillat, whose excursions into female psychology and movie sexuality are anything but clinical. (See 36 Fillette and Romance for further proof.) Two adolescent sisters journey to the seaside on vacation with their parents; the younger sister is overweight and brooding, the older girl a beauty who attracts the attention of a smooth-talking boy. Much of the film is built around two painstaking seduction scenes, characteristically shot by Breillat with both comic and horrific overtones and long, uncomfortable takes. The final section then tips into an outright descent into hell--you can never let your guard down with Breillat. So complicated were the seduction scenes that Breillat subsequently made a feature about the shooting of them, Sex Is Comedy. Fat Girl was released under an alternate title, A ma soeur!, bu! t Fat Girl, in English, is Breillat's original and pref! erred ti tle. --Robert Horton A funny, painfully honest memoir about five women as they diet and eat, lose and gain, and struggle to find their individual definition of freedom along the way

Like so many women, Frances Kuffel wondered: how could this happen again? She'd transformed her life by losing 188 pounds-but, like the vast majority of dieters, she transformed it again by gaining over half those pounds back. After all the struggle and hard work she somehow lost control, once again forced to carry nearly unbearable physical and psychological weight.

But she also found new friends, in particular, four women in similar situations-and similar bad moods-whom she met online. Frances, Lindsay, Katie, Mimi, and Wendy dubbed themselves the Angry Fat Girlz and shared not just rage but embarrassment and fear, fragile hope, and a mutual obsession with shoes. They asked themselves-and each other-the difficult questions: Who am I inside all this wei! ght? How much am I allowed to enjoy myself, and how much do I have to deny myself? What could I do if I was thin?

In Angry Fat Girls, Frances Kuffel shares their story and struggle to find their best selves along the way.

A candidly funny and off-beat coming-of-age story focusing on the trials and tribulations of a gay, theater-obsessed Texan high school senior who has his heart set on Broadway stardom and an eye out for love. With the help of his 300-pound best girl friend, he embarks on a winning journey of self discovery.

Book of Shadows: Blair Witch Project 2 - Movie Poster - 30 X 40

• Brand New Original 2000 Theatrical Release UK Quad Movie Poster
• New and Unused
• Double Sided.

This thoroughly second-rate follow-up to the groundbreaking (and highly profitable) horror flick The Blair Witch Project--produced by Blair Witch directors Daniel Myrick and Eduardo Sanchez--plays with the notions of reality and fantasy that surrounded the hype of the original movie, and attempts to throw in some scares along the way. A year after the release of the original film, a group of five Blair Witch aficionados--four out-of-towners led by one seriously unhinged "tour guide"--venture into the woods outside Burkittsville, Maryland, on a tour of the sites made famous by missing documentarians Heather, Mike, and Josh. After a drunken night of camping out in hopes of communing with the spirit of the Blair Witch, the five wake up to find that their seemingly innocent s! leep may have been disturbed somehow. But what exactly happened? If you're expecting suspense of the first degree and a horrifying payoff similar to the one that climaxed the first film, you'll be sorely disappointed. After retreating to an old, run-down broom factory (get it? Broom factory? Blair Witch? Oh well...), the five go over their videotapes of the night in question to get some answers, and basically wind up screaming at each other for the remainder of the film, and shedding some blood along the way. Documentary filmmaker Joe Berlinger (of the highly acclaimed Paradise Lost and Brother's Keeper) proves that he should definitely stick to nonfiction filmmaking, and the entire cast is grating and unpleasant, aside from a scene-stealing turn by Kim Director as a goth chick with attitude to burn and a no-nonsense approach to this Blair Witch stuff. Strictly for hard-core Blair Witch fans only, and even then this sequel may prove to disappoint. --! Mark Englehart IN OCTOBER 1994, THREE STUDENT FILMMAKERS D! ISAPPEAR ED
IN THE WOODS NEAR BURKITTSVILLE, MARYLAND,
WHILE SHOOTING A DOCUMENTARY...

FIVE YEARS LATER, THE FILM THEY SHOT BECAME
ONE OF THE MOST PROFITABLE MOTION PICTURES IN HISTORY.

People across America were stunned by the runaway success of "The Blair Witch Project(TM) " -- none more so than the residents of Burkittsville. Suddenly the little western Maryland farming village was flooded with tourists seeking mementos of the fabled Blair Witch. Road signs disappeared, backpackers clogged local hiking trails, graveyards filled with enthusiasts trying for a firsthand glimpse of the supernatural.

While most Burkittsville residents -- in particular Sheriff Ron Cravens -- were angered by this wave of visitors, others took a more pragmatic approach. Like Jeff Patterson, who started up a business called the Blair Witch Hunt. At first, Patterson simply sold caps, T-shirts, and coffee mugs over the Internet. Then he decided to lead a group of four tourists into th! e Black Hills himself.

If you saw the film "Book of Shadows: Blair Witch 2, " you know what happened to Jeff Patterson, Kim Diamond, Stephen Ryan Parker, Tristen Ryler, and Erica Geerson.

BUT YOU ONLY KNOW HALF THE STORY UNTIL YOU READ THIS BOOK.

Compiled with the aid of noted paranormal journalist D.A. Stern, the material gathered herein reveals:

The secrets hidden in Jeff Patterson's troubled past The research Stephen and Tristen conducted for their book "The Blair Witch: Hysteria or History?" The eerie similarity between the Blair Witch and the little-known seventheenth-century legend of Bloody Sam Caine The genesis of the Blair Witch HuntPhotos and news reports relating to the caseThis thoroughly second-rate follow-up to the groundbreaking (and highly profitable) horror flick The Blair Witch Project--produced by Blair Witch directors Daniel Myrick and Eduardo Sanchez--plays with the notions of reality and fantasy that surrounded the hype of ! the original movie, and attempts to throw in some scares along! the way . A year after the release of the original film, a group of five Blair Witch aficionados--four out-of-towners led by one seriously unhinged "tour guide"--venture into the woods outside Burkittsville, Maryland, on a tour of the sites made famous by missing documentarians Heather, Mike, and Josh. After a drunken night of camping out in hopes of communing with the spirit of the Blair Witch, the five wake up to find that their seemingly innocent sleep may have been disturbed somehow. But what exactly happened? If you're expecting suspense of the first degree and a horrifying payoff similar to the one that climaxed the first film, you'll be sorely disappointed. After retreating to an old, run-down broom factory (get it? Broom factory? Blair Witch? Oh well...), the five go over their videotapes of the night in question to get some answers, and basically wind up screaming at each other for the remainder of the film, and shedding some blood along the way. Documentary filmmaker Joe B! erlinger (of the highly acclaimed Paradise Lost and Brother's Keeper) proves that he should definitely stick to nonfiction filmmaking, and the entire cast is grating and unpleasant, aside from a scene-stealing turn by Kim Director as a goth chick with attitude to burn and a no-nonsense approach to this Blair Witch stuff. Strictly for hard-core Blair Witch fans only, and even then this sequel may prove to disappoint. --Mark Englehart Original 2000 Theatrical Release British Quad Movie Poster.
Measures 30" x 40" (inches)
The poster is double sided, rolled, and unused and will be shipped to you packed in plastic tubing and then inside strong pvc pipe for maximum protection.