Thursday, December 29, 2011

Bowling for Columbine

  • Audio Introduction by Writer-Director Michael Moore
  • OSCAR WINNER: Documentary Feature, 2002
  • WINNER: Original Screenplay by WRITERS GUILD OF AMERICA, 2003
  • On over 160 Top-Ten Lists
  • CANNES FILM FESTIVAL, 2002 35th Anniversary Prize
Acclaimed filmmaker Michael Moore (Roger & Me) takes aim at America's love affair with guns and violence in this Oscar(r)-winning* film that "demands attention" (People)! Mixing riveting footage, hilarious animation and candid interviews with everyone from the NRA's Charlton Heston to shock-rocker Marilyn Manson, Bowling for Columbine is a "brilliant" (The Hollywood Reporter) tour de force of filmmaking. *2002: Documentary FeatureMichael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and! short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. --Bret FetzerStudio: Tcfhe/mgm Release Date: 08/04/2008The Michael Moore Limited Edition DVD Collector's Set collects two of his landmark documentaries as well as a bonus disc of footage from the tour promoting his 2003 book Dude, Where's My Country? Bowli! ng for Columbine (2002) tackles a meaty subject: gun contr! ol. Moor e skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. The two-disc special edition included here is officially out of print and not available separately. Its features include an updated voice-over introduction from Michael Moore on the first disc, as well as a direct-to-camera t! alk on the second disc in which he discussed reactions to the film, and his reaction to winning an Oscar (he had to recite his celebrated acceptance speech because the Academy refused permission for him to show a clip, and he offered his take on who was booing whom). Other extras are an enthusiastic commentary track by Moore's former receptionists and interns; good, thoughtful, funny, and provocative interviews with ex-Clinton Press Secretary Joe Lockhart and with film critic Charlie Rose; and a moving return to Littleton, Colorado--home of Columbine High School--to find out what local people thought of the documentary.

A brazen mixture of stand-up comedy, political commentary, CEO confrontations, and shenanigans with Random House tour escorts, The Big One (1997) follows Moore's book tour to promote Downsize This. In cities like Des Moines, Minneapolis, St. Louis, and Portland, Moore's lighthearted-sounding but deeply biting humor speaking before boo! kstore patrons is juxtaposed with painful-to-watch confrontati! ons with security personnel at companies such as Procter & Gamble and PayDay. Moore speaks clandestinely with Borders employees organizing a union; a woman laid off from Ford attends Moore's Rockford, Illinois, bookstore visit the same day. Though slow in spots, frustrating if not depressing in others, it's intensely funny the rest of the time. The Big One is fundamental viewing.

On the bonus disc is a 13-minute featurette, "39 Cities in 23 Days." On the tour for his book Dude, Where's My Country?, Moore enthralls and amuses enthusiastic college crowds with points about the Bush-Saudi connections, voting machines, and "weapons of mass balloonery."Acclaimed filmmaker Michael Moore (Fahrenheit 9/11) takes aim at Americ'love affair with guns and violence in this Oscar winning film that "demand attention" (People)! Mixing riveting footage, hilarious animation and candid interviews with everyone from the NR's Charlton Heston to shock-rocker Marilyn Manson, Bowling for ! Columbine is brilliant.Michael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. --Bret Fetzer

Sunday, December 25, 2011

Doug's 1st Movie [VHS]

Friday, December 16, 2011

Touch the Sound - A Sound Journey With Evelyn Glennie

  • In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the
From the director of Driving Miss Daisy comes this compelling, heartwarming and inspiring true story of a father (Pierce Brosnan) who faces impossible odds to keep his family together. Times are tough in Dublin, Ireland. But no one has it tougher than Desmond Doyle when his wife runs off and his beloved daughter Evelyn and two young sons are sent to an orphanage by the government.Enlisting the help of loyal friends (Julianna Margulies, Stephen Rea) and a feisty American lawyer (Aidan Quinn), he takes his! case to Ireland's Supreme Court in a history-making quest to topple an ironclad law and win back the custody of his children!With a gentle tug at the heartstrings, Evelyn tells the true story of an imperfect father whose devotion brought much-needed change to rigid Irish law. It's a labor of love for star and coproducer Pierce Brosnan, who brings just the right touch of Everyman charm to his role as Desmond Doyle, a struggling Dublin tradesman, father of three, and chronic pub-crawler whose wife abandons their family the day after Christmas, 1953. Desmond's a loving father who's boyishly irresponsible; Irish law dictates the removal of his children to stern Catholic orphanages, and his battle for custody is aided by two lawyers (Stephen Rea, Aidan Quinn) who seize this opportunity to revolutionize the courts. With straightforward, unobtrusive style, director Bruce Beresford draws fine performances from Brosnan, Julianna Margulies (as a barmaid who inspires Desmond's! sobriety), and especially young Sophie Vavasseur in the title! role as Desmond's bright, determined daughter. Sentimental without being saccharine, Evelyn is simple, well made, and bursting with genuine Irish spirit. --Jeff ShannonFans of 'A Nightmare Before Christmas', 'Rocky Horror', and 'Hedwig and the Angry Inch' will love Evelyn Evelyn, the world's only conjoined-twin singer-songwriter duo. With a background in circus performance and a wide range of musical influences, the twins compose original timeless songs full of humor, sadness, and double entendre.

The multi-talented sisters move gracefully through genres - from ragtime to 80s power ballad - at times reminiscent of the Andrews Sisters, at others like the soundtrack to a long lost Broadway musical. Their songs range from the country-tinged 'You Only Wany Me 'Cause You Want My Sister' to a heartbreaking ukulele rendition of Joy Division's 'Love Will Tear Us Apart'. Discovered, and richly produced by Amanda Palmer (The Dresden Dolls) and (Seattle cult-musician) Jas! on Webley, this epic album - three long years in the making - is the twins' debut recording.TOUCH THE SOUND - DVD MovieSubtitled "A Sound Journey with Evelyn Glennie," German director Thomas Riedelsheimer's exquisite Touch the Sound is nominally a portrait of the Scottish musician known as "the first full-time solo percussionist." Glennie is certainly a fascinating subject. Profoundly deaf since childhood, she disdains the use of hearing aids and sign language, relying instead on lip reading and, more crucially, on the use of all of her senses, especially touch, to "hear" with her entire body. The film reveals Glennie's extraordinary skills in a variety of settings: playing a snare drum for bemused New Yorkers in cavernous Grand Central Station; improvising with guitarist Fred Frith in an empty warehouse in Cologne, Germany (their final vibes-guitar duet is one of the film's musical highlights); working with hearing-impaired students in her native Aberdeenshire; jamm! ing with taiko drummers in Japan, and later delighting custome! rs in a Tokyo bar with a spontaneous workout involving chopsticks, dishes, cans, and glassware (the woman can make music with virtually anything). But Riedelsheimer, who was also the film's editor and cinematographer, has a broader agenda here--namely, to intensify our awareness of the sounds that surround us everywhere, in every moment. From the streets of New York to the beaches of Santa Cruz, from the rocky Scottish coastline to a tranquil Japanese rock garden, he links heightened audio, as clear and natural as the best ECM recordings, to a succession of gorgeous visual images to create a balance of complex detail and overall sparseness, resulting in a kind of Zen feast. Even more of the same is found in a "making of" featurette that's the highlight of the bonus material, making Touch the Sound easily one of the most rewarding documentaries in recent years. --Sam Graham

Wednesday, December 14, 2011

Marvel Bullseye And Daredevil

  • Get in on fast-paced action and excitement as you stage battles with your action figures
  • Recreate your favorite scenes from the included comic book or create your own super-powered showdowns
  • With these mighty articulated action figures, there?s just no stopping the action
  • With dozens of super-powered criminals suddenly free and on the run, the reformed Avengers are stretched to their limit
  • Figures come with comic book
For Daredevil, justice is blind, and for the guilty…there's hell to pay! Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this "dazzling action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "ra! dar sense" that allows him to "see" with superhuman capabilities. But when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, superenhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennif! er Garner), but their teaming is as shallow as the movie itsel! f, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon During a character-defining run, Brian Michael Bendis crafted a pulp-fiction narrative that exploited the Man Without Fear's rich tapestry of characters and psychodrama, and resolved them in an incredibly nuanced, modern approach. Now, this Eisner Award-winning run is collected across three titanic trade paperbacks! In this volume, witness the Kingpin's downfall at the hands of Sammy Silke and see how a down-on-his-luck FBI agent can change Matt's life forever. Collects Daredevil #16-19 & #26-40.Studio: Tcfhe Release Date: 09/30/2008 Run time: 124 minutes Rating: Pg13

Celebrating the 2! 5th anniversary of the greatest crossover event of all time. Get in on fast-paced action and excitement as you stage battles with your action figures. Recreate your favorite scenes from the included comic book or create your own super-powered showdowns. With these articulated action figures, there's just no stopping the action. With dozens of super-powered criminals suddenly free and on the run, the reformed Avengers are stretched to their limit. The figures come with a comic book.

  • Product Dimensions (inches): 2.2 (L) x 7.6 (W) x 12.2 (H)
  • Age: 4 years and up

The Fast and the Furious: Tokyo Drift (Widescreen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
From the makers of The Fast and the Furious and 2 Fast 2 Furious comes the highest-octane installment of the hit movie franchise built for speed! When convicted street racer Sean Boswell (Lucas Black) tries to start a new life on the other side of the world, his obsession with racing sets him on a collision course with the Japanese underworld. To survive, he will have to master drifting â€" a new style of racing where tricked-out cars slide through hairpin turns, defying gravity and death for the ultimate road rush. With more mind-blowing stunts and heart-pounding racing sequences than ever, The Fast and the Furious: Tokyo Drift puts you in the driver’s seat. “Strap yourself in for a blistering, super-charged ride.” â€" Pete Hammond, MAXIMThe Fast and the Furious: Tokyo Drift has all the elements that spelled success for its predecessors: Speed, sex, and minimal dialogue. The plot doesn't need explication; it's a nonsensical series of confrontations and standoffs that serve to get us from one race to another. Tokyo Drift can most accurately be described as a visual poem about screeching tires, crunching fiberglass, and sleek female skin, set to a killer soundtrack of Japanese pop and hip-hop. The actors are only needed for tight close-ups of narrowed eyes or sweaty hands tightly gripping gearshifts, though Sung Kang, Better Luck Tomorrow, stands out as a vaguely philosophical hoodlum with deadpan charisma. The curved bodies of the cars and the luscious flesh of the women are both shot with a fetishistic hunger. The "drift" style of racing--in which the cars are allowed to slide in order to take sharp turns at high speeds--grabs your eyes; there's a strange, spectral beauty to rows of cars sliding sideways down a mountain road at! night. Also starring Lucas Black (Friday Night Lights)! as our wheel-happy hero; Bow Wow (Roll Bounce) as the scam-artist comic relief; and martial arts legend Sonny Chiba (Kill Bill) as a yakuza big shot. --Bret FetzerStudio: Uni Dist Corp. (mca) Release Date: 08/30/2011 Run time: 105 minutes Rating: Pg13The Fast and the Furious: Tokyo Drift has all the elements that spelled success for its predecessors: Speed, sex, and minimal dialogue. The plot doesn't need explication; it's a nonsensical series of confrontations and standoffs that serve to get us from one race to another. Tokyo Drift can most accurately be described as a visual poem about screeching tires, crunching fiberglass, and sleek female skin, set to a killer soundtrack of Japanese pop and hip-hop. The actors are only needed for tight close-ups of narrowed eyes or sweaty hands tightly gripping gearshifts, though Sung Kang, Better Luck Tomorrow, stands out as a vaguely philosophical hoodlum with deadpan charisma. The curved bodies o! f the cars and the luscious flesh of the women are both shot with a fetishistic hunger. The "drift" style of racing--in which the cars are allowed to slide in order to take sharp turns at high speeds--grabs your eyes; there's a strange, spectral beauty to rows of cars sliding sideways down a mountain road at night. Also starring Lucas Black (Friday Night Lights) as our wheel-happy hero; Bow Wow (Roll Bounce) as the scam-artist comic relief; and martial arts legend Sonny Chiba (Kill Bill) as a yakuza big shot. --Bret FetzerFAST AND THE FURIOUS:TOKYO DRIFT - DVD MovieThe Fast and the Furious: Tokyo Drift has all the elements that spelled success for its predecessors: Speed, sex, and minimal dialogue. The plot doesn't need explication; it's a nonsensical series of confrontations and standoffs that serve to get us from one race to another. Tokyo Drift can most accurately be described as a visual poem about screeching tires, crunching fi! berglass, and sleek female skin, set to a killer soundtrack of! Japanes e pop and hip-hop. The actors are only needed for tight close-ups of narrowed eyes or sweaty hands tightly gripping gearshifts, though Sung Kang, Better Luck Tomorrow, stands out as a vaguely philosophical hoodlum with deadpan charisma. The curved bodies of the cars and the luscious flesh of the women are both shot with a fetishistic hunger. The "drift" style of racing--in which the cars are allowed to slide in order to take sharp turns at high speeds--grabs your eyes; there's a strange, spectral beauty to rows of cars sliding sideways down a mountain road at night. Also starring Lucas Black (Friday Night Lights) as our wheel-happy hero; Bow Wow (Roll Bounce) as the scam-artist comic relief; and martial arts legend Sonny Chiba (Kill Bill) as a yakuza big shot. --Bret Fetzer

Sunday, December 11, 2011

Godzilla Mini Figures Set Of 8

National Geographic: Six Degrees Could Change the World

  • In a special broadcast event, National Geographic explores the startling theory that Earths average temperature could rise six degrees Celsius by the year 2100. In this amazing and insightful documentary, National Geographic illustrates, one poignant degree at a time, the consequences of rising temperatures on Earth. Also, learn how existing technologies and remedies can help in the battle to dial
Studio: Esi Distribution Release Date: 09/20/2011Carbon Nation, an optimistic, solutions-based, non-preachy, non-partisan, big tent film, shows tackling climate change boosts the economy, increases national & energy security, promotes health and a clean environment. With Richard Branson, Tom Friedman, Jim Woolsey, Van Jones, Gary Hirshberg, Col. Dan Nolan, Amory Lovins, John Rowe, Jim Rogers, Lester Brown and many more clean energy pioneers.In a special broadcast event, National Geographic explores! the startling theory that Earths average temperature could rise six degrees Celsius by the year 2100. In this amazing and insightful documentary, National Geographic illustrates, one poignant degree at a time, the consequences of rising temperatures on Earth. Also, learn how existing technologies and remedies can help in the battle to dial back the global thermometer.In the 2004 eco-thriller The Day After Tomorrow, director Roland Emmerich dramatized the potential consequences of accelerated global warming. By combining stock footage with computer-generated imagery, the National Geographic special Six Degrees Could Change the World serves as a sort of nonfiction counterpoint. As NASA climate scientist James Hansen cautions, even two degrees Celsius represents a tipping point (from which there is no return). Based on Mark Lynas's Six Degrees: Our Future on a Hotter Planet and narrated by Alec Baldwin, the program roams from the bushfire-ravaged suburbs ! of Southern Australia to the drought-stricken farmlands of Neb! raska to the rapidly melting glaciers of Greenland. In the process, aerospace engineers, marine biologists, and ordinary citizens share their experiences and predictions. In the end, it's the actual events--rather than the speculative scenarios--that prove most alarming, like the 30,000 deaths that resulted from 2003's European heat wave. While a skeptic might dismiss that tragedy as a statistical anomaly, every continent bears the scars of climate change, like the deforestation of the Amazon and the devastation wrought by Hurricane Katrina. In order to inject some levity, Six Degrees detours to look at a British grape grower who has actually benefited from his country's drier environment and the carbon footprint involved in the creation of that all-American favorite, the cheeseburger (suffice to say, it's considerable). While some of the special effects are hokey--Hansen sitting at a floating desk, for example--the preponderance of compelling data helps to compensate ! for such lapses. --Kathleen C. Fennessy

Also of Interest


Six Degrees Could Change the World on Blu-ray

More DVDs About Global Warming and Climate Change

More National Geographic DVDs

Stills from Six Degrees Could Change the World (click for larger image)





Life

  • New
Three generations of comedy legends star in this tale of nightclub owner Sugar Ray (Richard Pryor) and his son Quick (Eddie Murphy), who fight to keep a vicious mobster and a corrupt police force from putting them out of business. Written by Eddie Murphy with an all star supporting cast including Redd Foxx, Della Reese, Arsenio Hall, Jasmine Guy, and Danny Aiello, Harlem Nights is an action packed comedy treasure!This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub ! owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine
Genre: Feature Film-Drama
Rating: R
Release Date: 1-JUL-2008
Media Type: DVDThis is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny! as Murphy, Pryor, and Foxx, there are so few laughs and so mu! ch misog yny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine HARLEM NIGHTS - DVD MovieThis is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine This is a supremely disappointing film, ! especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine Coming to America casts comedian Eddie Murphy as pampered African prince Akeem, who rebels against an arranged marriage and heads to America to find a new bride. Murphy's regal father (James Earl Jones) agrees to allow the prince 40 day! s to roam the U.S., sending the prince's faithful retainer Sem! mi (Arse nio Hall) along to make sure nothing untoward happens. To avoid fortune hunters, Prince Akeem conceals his true identity and gets a "Joe job" at a fast-food restaurant. Murphy and Hall play multiple roles, and there are innumerable celebrity cameos peppered throughout the proceedings â€" including the Duke Brothers (Don Ameche and Ralph Bellamy) from Trading Places. Coming to America made further headlines when humorist Art Buchwald sued the film's producers for plagiarizing one of his works. Buchwald carried the case to trial, where he won a sizeable judgement against the film's producers.Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages t! o look smug and naive at the same time. There are enjoyable sequences of Murphy's Prince Akeem applying his lordly manner to his new job in a fast-food emporium, and falling for the boss's spirited daughter (Shari Headley), who teaches him how to party down, American style. But the fish-out-water premise is never fully exploited. Star spotters will have a field day locating Cuba Gooding Jr., Donna Summer, Louie Anderson, Vondie Curtis Hall, E.R.'s Eriq La Salle, and Samuel L. Jackson in their minuscule supporting roles. --David Chute Sultry Robin Givens (HEAD OF STATE) heats up the screen with Forest Whitaker (PHONE BOOTH), Gregory Hines (ONCE IN THE LIFE), and Danny Glover (THE ROYAL TENENBAUMS) in this cool, sexy thriller about a gangster's girlfriend and the trouble she stirs for the fellas in her life! When Imabelle (Givens) hits Harlem with a trunkload of stolen gold, she's on the run and looking for a place to hide. So when shy and naive Jackson (Whitake! r) appears, Imabelle thinks she's met the perfect patsy ... bu! t she fo rgets to protect her heart! As the chase again takes off and the intrigue mounts, you'll find that unexpected twists are all the rage in this stylish thriller!In 1930's Harlem two men are framed for murder, what ensues is a comical look at their lives together in prison over the next sixty years.
Genre: Feature Film-Comedy
Rating: R
Release Date: 6-JAN-2004
Media Type: DVDMartin Lawrence and Eddie Murphy play it surprisingly straight in this film by director Ted Demme. Though there are laughs to be had, this is a story about perseverance in the face of a life of disappointment (yet the film was sold as a prison comedy). But Stir Crazy this isn't. Rather, Lawrence and Murphy play a couple of New Yorkers making a moonshine run from New York to Mississippi during the Prohibition who find themselves framed for murder and sentenced for life to a prison chain gang. As they age, the two become close friends, although the strait-laced L! awrence always resents the free-wheeling Murphy for getting him into the situation in the first place. Ultimately, these two men learn to find meaning where they can, taking value from friendship and their limited ability to affect the lives of others. At times preachy, it ends on an upbeat note; the film's biggest laughs are reserved for the final section, in which Lawrence and Murphy don age makeup and play octogenarians. --Marshall Fine