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YES - DVD MovieIt's unsurprising that a movie written in rhyming verse would have stilted or self-conscious moments--but the sumptuous beauty, sinuous rhythms, and cinematic intricacies of Yes may astonish viewers who expect something stuffy or antiquarian. The plot is little more than an affair between an unnamed Irish-American biologist (Joan Allen, once the queen of repression in The Ice Storm, now becoming an art-house sexp! ot in this and Off the Map) and an unnamed Middle-Eastern chef (Simon Abkarian, Ararat), yet the movie explores just about everything: Marriage, religion, international politics, motherhood, and the nature of zero, while travelling from London to Belfast to Beirut to Havana. Writer/director Sally Potter (Orlando, The Tango Lesson) has enormous ambitions; Yes abounds with complex ideas and daring flourishes, both verbal and visual, juxtaposing the austere and the erotic, intellect and grief. If not everything succeeds, what doesn't is more than made up for by what does. Also featuring Sam Neill (The Piano, Jurassic Park) as Allen's aloof husband and Shirley Henderson (Topsy-Turvy) as a housecleaner with a philosophical perspective on dirt. --Bret FetzerWhen the truth becomes a weapon, power comes at a stunning price. Gary Oldman, Joan Allen, Jeff Bridges and Christian Slater deliver electrifying performances in ! this controversial, suspenseful and critically-acclaimed thril! ler that Ebert & Roeper and the Movies call "exciting and unusually intelligent, two very enthusiastic thumbs up!" Sometimes you can assassinate a leader without firing a shot.Depending on your perspective, The Contender can be praised and damned for the same reasons. A political thriller with an insider's view, it's deadly earnest in its defense of truth, justice, and the American way, but writer-director (and former film critic) Rod Lurie resorts to the same manipulation that his film purports to condemn. But with political savvy, a timely idea (a female vice president), and a cast of first-rate actors, this high-office chess game is unabashedly entertaining. You can argue with Lurie's tactics, but you can't fault his patriotic passion.

In a role written especially for her, Joan Allen is outstanding (if a bit too saintly) as the Republican-turned-Democrat senator who is chosen by the president (Jeff Bridges) to fill a vice presidential vacancy. Bridges is a cagey chief ex! ecutive, seemingly aloof as he gleefully challenges the White House's 24-hour kitchen staff but more than a match for the embittered and unscrupulous congressman (Gary Oldman) who plots to destroy Allen's character with seemingly dark secrets from her past.

As a gender-switching response to the Lewinsky scandal, The Contender asks potent questions with its impassioned plea for integrity in public service. That makes this a film well worth defending, and the stellar cast (which includes Christian Slater and William Petersen) triumphs over most of the plot's hokey machinations. The ideas are more compelling than their execution, however, and although Lurie's climactic revelation is a vast improvement over the reckless cheat of his previous film Deterrence, it still threatens to tarnish the gloss of an otherwise fascinating film. --Jeff ShannonA two-level high-intermediate/advanced course, Summit, by Joan Saslow and Allen Ascher, is the perfect next ste! p for learners who have completed a beginning to intermediate-! level co urse. Summit develops competence and confidence in all four skills. Summit's simple instructional design has two essential, motivating features: *Concise two-page multiple skills lessons are each designed for one class session. *Communication activities at the end of each lesson enable students to set their own progress. Other important features: *Ten essential model conversations apply a wide array of conversation strategies for confident communication. *Unique step-by-step "Discussion Builders" guarantee successful, thoughtful free discourse. *An intensive vocabulary syllabus builds key word skills. *Comprehensive writing sections feature rhetorical skills, prewriting, and error correction. *Bound-in Grammar and Pronunciation Boosters provide additional reference and practice.OFF THE MAP - DVD MovieOff the Map avoids conventional drama (hardly any event leads to an outcome you could expect) but the lean, sharp dialogue and superb performances make this movie a rich! , human comedy. A young girl named Bo, living in the New Mexico desert, rebels against her bohemian parents by reading Forbes magazine and applying for credit cards. Her father Charley (Sam Elliott, Tombstone) has sunk deep into a paralyzing depression; her resilient, industrious mother Arlene (Joan Allen, The Upside of Anger) alternates between gently supporting Charley and railing against his zombie-like state. Into this off-balance family comes a tax auditor (Jim True-Frost, Singles), who--after being stung by a bee and lapsing into a sudden fever--becomes an accidental catalyst for change. In her movie debut as Bo, Valentina de Angelis gives a wonderful performance, head and shoulders above most actors her age. Campbell Scott's direction, as with his first film Big Night, is warm but not sappy; he has a gift for letting a story wander without it ever getting lost. The New Mexico landscape glows in the sun and helps give Off the Map ! a quiet but mysterious vision of life. --Bret FetzerThe! re-rele ase of Jerry Aronson's biopic, The Life and Times of Allen Ginsberg, timed to celebrate the fiftieth anniversary of "Howl," suits this wonderful documentary and proves Ginsberg central to all radical artistic and political movements of the past 60 years. The feature-length film, segmented by decade, provides ample footage of Ginsberg's life; but extras added into this package, including footage of his memorial and 35 interviews with artists inspired by the visionary poet--from Beck to Lawrence Ferlinghetti--solidify Ginsberg as an American cultural icon. The film unravels Ginsberg's obsession for life and death around his mother's nervous breakdown and his father's affinity for poetry. Interviews with Ginsberg from each decade, both amongst his Beat friends like Burroughs and Huncke, and later with talk show hosts William Buckley and Dick Cavett, show the author's progression from sexual politics in the '40s and '50s to the "politics of ecstasy" in the '60s and '70s, ! when he founded the Flower Power movement with Tim Leary, and later, Naropa Institute. Ample footage of Ginsberg's stepmother provides a sensitive outsider's opinion on how he blossomed into one of the most spontaneous minds of the century. The film transcends simple Ginsberg descriptions by framing his life with historical happenings to contextualize the author's words and actions. The Life and Times of Allen Ginsberg reminds the viewer that there is no better example of an artist devoted to a life of letters, activism, and idealism than the original beatnik. --Trinie DaltonHachiko: A Dog's Story Poster (11 x 17 Inches - 28cm x 44cm) (2009) Japanese Style A reproduction poster print

CAST: Richard Gere, Sarah Roemer, Joan Allen, Jason Alexander, Cary-Hiroyuki Tagawa, Erick Avari, Davenia McFadden; DIRECTED BY: Lasse HallstrÃ¶m; PRODUCER: Richard Gere, Bill Johnson, Vicki Shigekuni Wong;

This rock'n'roll adventure story tells of two unlikely lovers who accidentally double-cross the Detroit mob by stealing valuable contraband. Christian Slater and Patricia Arquette, flee to Los Angeles where they are sought by both gangsters and cops. Format: DVD MOVIE Genre:Â ACTION/ADVENTURE Rating:Â NR Age:Â 085391163275 UPC:Â 085391163275 Manufacturer No:Â 11632

Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Pa! rker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joff?Â© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his dev! oted secretary (Mary-Louise Parker), and the cynical Detective! Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland JoffÃ© (The Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon A young San Francisco widow is swept into a political uprising in Burma after her sister reluctantly drags her on a Southeast Asia tour.Working at the top of his form, John Boorman is a director who can pursue the poetry of his personal obsessions within the framework of a dynamic thriller and not shortchange the film. Beyond Rangoon involves a journey into unfamiliar territory: the rivers, jungles, and war-torn backcountry of Burma in 1988; But it also ventures into the mythic Arthurian terrain of such seemingly disparate films as ! Excalibur, Point Blank, and Deliverance. This time, uniquely in this director's work, the quester is a woman. American doctor Laura Bowman (Patricia Arquette) regards her life as having ended after the brutal murder of her husband and their little boy by home invaders. Her sister (Frances McDormand) has persuaded her to come along on a sightseeing tour of Burma. The trip leaves Laura numb until, impulsively venturing into the night alone, she becomes witness to a crisis moment in history: the beginning of the military dictatorship's violent crackdown on the rising democracy movement. The sight of Aung San Suu Kyi, the dissidents' inspirational leader, facing down a wall of armed soldiers with only the power of serene self-possession inspires Laura (an amazing scene--and it really did happen).

But that's only the beginning of Lauraâ€™s movement toward enlightenment, and back to life. Beyond Rangoon abounds in memorable encounters--with individual! s variously supportive and terrifying, and with locations and ! situatio ns where hope and catastrophe trade off like valences of the same energy. As critic Kathleen Murphy has noted, "It's as though the fabric of reality shivers like water, racking focus into a new, altered pattern of experience." (Case in point: the startling image of a car's rear window star-shattered by a pursuer's bullet as Laura drives down an almost nonexistent jungle road--the pursuit car sharply irised in the bullet hole.) Boorman makes us feel the total chaos of a spectacularly beautiful land that is not only at the mercy of a brutal regime but utterly cut off from an outside world that doesn't, can't, know what's happening there. In this, Boorman's movie immeasurably increased awareness of Burma's tragedy, but it hasn't prevented the government of what's now called Myanmar from keeping Aung San Suu Kyi under house arrest more than 20 years later. --Richard T. JamesonFrom the creators of Being John Malkovich and starring Tim Robbins and Patricia Arquette comes a ! deliciously twisted film with biting dialogue wild twists and plenty of comic turns.Running Time: 96 min.Format: DVD MOVIE Genre:Â COMEDY UPC:Â 794043572623This fascinating comedy questions what we mean when we use words like "nature" and "civilization." Lila (Patricia Arquette, Lost Highway, True Romance), a nature writer who grows hair all over her body, falls in love with Nathan (Tim Robbins, The Player, The Hudsucker Proxy), a scientist attempting to teach table manners to mice. While hiking in the woods, they discover Puff (Rhys Ifans, Notting Hill), a man raised in the wild since childhood, whom Nathan seizes as a test subject for his experiments--and soon these three, along with Nathan's French lab assistant (Miranda Otto) are embroiled in criss-crossed love affairs as they (and the audience) attempt to figure out what it means to be true to one's own nature. Though Human Nature isn't as surefooted as Being John Malkovich (which was also written by distinctive screenwriter Charli! e Kaufma n), it has moments of startling comic genius. --Bret FetzerStudio: Paramount Home Video Release Date: 06/21/2011 Run time: 563 minutesA lost soul has just received the wounds of Christ and a shocking message that will alter history. Stunning performances from Patricia Arquette (True Romance), Gabriel Byrne (The Usual Suspects) and Jonathan Pryce (Ronin) and a cutting edge score by Billy Corgan of The SmashingPumpkins and Elia Cmiral make Stigmata a visual and visceral feast (Entertainment Today). Frankie Paige (Arquette) has absolutely no faith in God. All of that changes when she suddenly begins to suffer the Stigmatathe living wounds of the crucified Christ. Frankie's miraculous bleeding comes to the attention of the Vatican's top investigator, Father Kiernan (Byrne). But when Cardinal Houseman (Pryce), discovers that Frankie is actually channeling an extraordinary and provocative message that could destroy the Church, he's convinced that she - and the force p! ossessing hermust be forever silenced. Determined to stop this deadly conspiracy, Kiernan risks his faithandhis lifeto save her and the message that will change the destiny of mankind forever!Gabriel Byrne plays Father Kiernan, a young Jesuit priest whose degree in chemistry makes him a sort of priest/detective as he investigates weeping Marys and the like around the world. Meanwhile, Frankie (Patricia Arquette), a rave-generation Pittsburgher, is afflicted with the stigmata--holes that appear in her wrists, resembling the wounds of Christ. The young woman's symptoms filter back to the Vatican and Father Kiernan is assigned to the case. The priest is puzzled by Frankie's atheism; usually the stigmata only appear on the devout (hence the age-old controversy of miracles vs. hysteria). Other manifestations appear on Frankie, and the priest's cardinal (Jonathan Pryce) is brought in, leading to political maneuvering within the Church hierarchy. The film owes a large and obv! ious debt to The Exorcist (at one point, Frankie's bed ! scoots a cross the room and she levitates into a crucifix position), but to term it an Exorcist rip-off would be to shortchange Stigmata. The premise and screenplay are more cerebral than in the l973 film, and the source of the phenomenon is coming from a completely different place.

Unfortunately, amid Stigmata's high-octane editing and slick technique, the chills of The Exorcist aren't there, giving the movie a sort of identity crisis: horror movie or intellectual thriller? Several elements of the film challenge basic tenets of the Catholic faith, hence the brief furor that erupted at the time of the film's release; if nothing else, the internal workings of the Church are shown in a very unflattering light indeed. Byrne excels as the skeptical priest, as does Arquette as the tortured young woman. All told, Stigmata is a rather uneven effort, but one with a thought-provoking combination of theology and thrills served up in a thoroughly modern! , stylish package. Fans of TV's Ally McBeal will recognize Portia DeRossi in a supporting role. --Jerry RenshawMuseum Quality Oil-on-Canvas Reproduction. Custom painted to your size and specifications. All our reproductions are 100% hand painted using oil-on-canvas. We do not use any printing or digital techniques at all. You will receive an original handmade oil painting created just for you. Satisfaction Guaranteed! We are so confident in the quality of our work that we will refund your money if you are not completely satisfied. No questions asked. FREE Shipping Worldwide! We will ship your painting anywhere in the world for FREE. Your artwork will be delivered unframed in a protective shipping tube, typically within 21 days. Own an original masterpiece today!Director Diane Keaton brings a tender touch to Wildflower, a Lifetime cable-TV movie showcasing early-career excellence from Reese Witherspoon and Patricia Arquette. Witherspoon's big-screen debu! t in The Man in the Moon had premiered shortly before t! his movi e's original broadcast in 1991, and a year earlier, Arquette had starred in a Keaton-directed CBS Schoolbreak Special, The Boy with the Crazy Brother. These rising talents are well served by Sara Flanigan's teleplay, closely adapted from her popular juvenile novel Alice. Set in the mid-1930s, the story follows two compassionate teens (Witherspoon, William McNamara) who discover and essentially adopt a partially deaf epileptic (Arquette) who'd been locked away by her psychotically abusive father. Beau Bridges and Susan Blakely provide different parental perspectives, and while Keaton doesn't always avoid Flanigan's tear-jerking sentiment, she handles it with delicate grace. Aiding her are a gifted cast and the fine cinematography of Janusz Kaminski, who would soon begin an enduring collaboration with Steven Spielberg. --Jeff ShannonA young San Francisco widow is swept into a political uprising in Burma after her sister reluctantly drags her on a Southeast! Asia tour.Working at the top of his form, John Boorman is a director who can pursue the poetry of his personal obsessions within the framework of a dynamic thriller and not shortchange the film. Beyond Rangoon involves a journey into unfamiliar territory: the rivers, jungles, and war-torn backcountry of Burma in 1988; But it also ventures into the mythic Arthurian terrain of such seemingly disparate films as Excalibur, Point Blank, and Deliverance. This time, uniquely in this director's work, the quester is a woman. American doctor Laura Bowman (Patricia Arquette) regards her life as having ended after the brutal murder of her husband and their little boy by home invaders. Her sister (Frances McDormand) has persuaded her to come along on a sightseeing tour of Burma. The trip leaves Laura numb until, impulsively venturing into the night alone, she becomes witness to a crisis moment in history: the beginning of the military dictatorship's violent ! crackdown on the rising democracy movement. The sight of Aung ! San Suu Kyi, the dissidents' inspirational leader, facing down a wall of armed soldiers with only the power of serene self-possession inspires Laura (an amazing scene--and it really did happen).